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Spheres
Spheres
I created imprints of spherical objects using a scanner. The result was basically shaped as a function of the two smooth movements, the movement of the object and the movement of the scanner.
By continuous scanning, the object used became walkable and the resulting image gave a substantially flat projection of the object.
At this point, the process has become reversible. Thus, by rearranging the transformation base, a kind of simulated reality, i.e. an object reconstructed by a photograph, can be created.
THE Spheres series is like trying to reproduce a ball, but in the process it becomes clear that this is not possible. Man can never perceive the whole material reality, always only a part of it. Even the scanner can only capture one band, its range does not extend beyond a slice of detection.
I created imprints of spherical objects using a scanner. The result was basically shaped as a function of the two smooth movements, the movement of the object and the movement of the scanner.
By continuous scanning, the object used became walkable and the resulting image gave a substantially flat projection of the object.
At this point, the process has become reversible. Thus, by rearranging the transformation base, a kind of simulated reality, i.e. an object reconstructed by a photograph, can be created.
THE Spheres series is like trying to reproduce a ball, but in the process it becomes clear that this is not possible. Man can never perceive the whole material reality, always only a part of it. Even the scanner can only capture one band, its range does not extend beyond a slice of detection.
Certified Copy /2015/
Digital photographic techniques capture the image of light, while the analogue process captures light itself.
Certified Copy consists of pairs of images where the subject of the photos is the same, but the creating process is significantly different. The digital photograms were taken with a scanner in a very short time, while the analogue ones were developed with traditional handmade photosensitive material, which often needed days.
While making analogue and digital photograms, I was seeking the answer how the chemically based techniques evoking the beginning of photography manifest in a digital environment. Can the means of shaping direct light work when the binary code of information is placed between image and reality?
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