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Spheres
Spheres
I created imprints of spherical objects using a scanner. The result was basically shaped as a function of the two smooth movements, the movement of the object and the movement of the scanner.
By continuous scanning, the object used became walkable and the resulting image gave a substantially flat projection of the object.
At this point, the process has become reversible. Thus, by rearranging the transformation base, a kind of simulated reality, i.e. an object reconstructed by a photograph, can be created.
THE Spheres series is like trying to reproduce a ball, but in the process it becomes clear that this is not possible. Man can never perceive the whole material reality, always only a part of it. Even the scanner can only capture one band, its range does not extend beyond a slice of detection.
I created imprints of spherical objects using a scanner. The result was basically shaped as a function of the two smooth movements, the movement of the object and the movement of the scanner.
By continuous scanning, the object used became walkable and the resulting image gave a substantially flat projection of the object.
At this point, the process has become reversible. Thus, by rearranging the transformation base, a kind of simulated reality, i.e. an object reconstructed by a photograph, can be created.
THE Spheres series is like trying to reproduce a ball, but in the process it becomes clear that this is not possible. Man can never perceive the whole material reality, always only a part of it. Even the scanner can only capture one band, its range does not extend beyond a slice of detection.
Alternative Photographic Processes
INSTANT NOODLES - WITH SLOW PROCESS /2019/
Procedures that evoke the beginning of photographic history provide insight into the “alchemy” of photography. Unlike the traditional silver-based technique, the sensitivity of the materials in the process, developed by English astronomer Sir John Herschel, is given by organic iron salts. During the process, the precipitation of iron provides the characteristic colour of the images made with this method. Photosensitive materials can be mixed manually and applied to the paper with a brush. Both solutions (cyanotype, argyrotype) are only sensitive to UV rays, so there is no need for a darkroom during the process, you can sensitize the paper under normal lamp light, and exposure takes place outdoors in the sunlight.
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